![]() ![]() First, on the actual bridge in Turkey, production filmed a parked train with a crane on it. His resulting fall was filmed in two passes. ![]() “The back of the train falling off was CG,” says Double Negative visual effects supervisor Andrew Whitehurst, “but the shots where the digger bites into the top of the train were practical.” Dneg also re-built plates and backgrounds where rigging and an extra bogey wagon needed to be removed.Īs the train passes over a viaduct bridge – shot in Varda – Eve attempts to shoot Bond’s attacker but instead hits Bond himself. wp-content/uploads/2012/11/Train.mp4Watch b-roll of the train sequence filmed in Turkey.īefore the train shooting, the visual effects work involved significant wire and rig removals for parts of the train chase, particularly for shots of a full-sized digger ripping off the back of a carriage. Double Negative, which also handled later scenes of the assassination in Shanghai and views of the villain’s hideout, tackled the Turkey chase. Eventually, Bond (Daniel Craig) grapples with an assailant atop a train before being accidentally shot by fellow agent Eve and falls into a river below. Skyfall’s pre-title sequence is a 15-minute chase on a wide variety of transport across Turkey. We take a look at just some of the major sequences, including the opening train sequence and Bond’s shooting, the MI6 explosion, the Komodo dragon casino attack, the London Underground encounter, the final Scottish highlands scenes and the main titles.Ĭlick here to listen to Mike Seymour’s podcast interview with Skyfall visual effects supervisor Steve Begg. Special effects and miniature effects supervisor Chris Corbould also oversaw a team of artists completing various miniature elements. The film, lensed by DOP Roger Deakins on digital ARRI Alexa cameras, features over 1300 visual effects shots with work by Double Negative, MPC, Cinesite, Framestore, Peerless Camera Company, BlueBolt, Lola and Nvizage. “We’d use miniatures to kick off the shot and then sweeten it with CGI.” On the set of Skyfall. “It was a real hybrid approach to the visual effects,” says Begg. Visual effects supervisor Steve Begg acknowledges he comes from the ‘old school era’ of effects production, but his wealth of experience was vital in marrying the digital and practical work in the latest Bond film, Skyfall, directed by Sam Mendes. ![]()
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